Emma Willis introduces Bespoke Tailoring at 66 Jermyn Street

We are delighted to welcome former Savile Row cutter Anette Akselberg who joins us this week at our Jermyn Street shop in London.

Anette began her tailoring  career in Savile Row in 1990, cutting and pattern making at Kilgour then Huntsman where she has been for the last 10 years.

Her reputation precedes her and I am sure Anette will have already made suits, coats and trousers for many of my customers. It will be a pleasure to work together as we are both passionate about our different areas, which we can now combine to create a complete Bespoke look.

We will have an extensive Collection of Wools, Cashmeres, Velvets, Linens and Cottons from the very best cloth merchants and Summer,  Winter and Evening Wear collections in different weights and textures to compliment our Linen, Cotton, Brush Cotton and Cashmere Cotton shirts.

Please do contact me if you would like any more information or to book an appointment please email  tailoring@emmawillis.com

A suit will take on average 2 months to be finished, so please do allow time for this if you are having something made for a particular occasion.

Anette, Jade and I look forward to welcoming you to the shop.

Best wishes,




anette 2

jade tailoring


Shirtmaking the Emma Willis way – The Rake online


With a delicate hand and unwavering values, Emma Willis has made her mark on the world of men’s shirts. But that’s not all that sets her brand apart from the rest. words JESSICA BERESFORD photography JUSTIN HAST


In a black frame, proudly displayed in the entranceway of an 18th century townhouse in Gloucester, hangs a photograph of the Prince of Wales speaking with Emma Willis. The moment, captured last year at Spencer House in London, is symbolic of the successes Emma has enjoyed as one of the UK’s most prestigious shirtmakers, as well as someone who’s used that acclaim to give back.

It was high profile customers, the likes of whom rub shoulders with Prince Charles, that helped Emma’s business initially grow. Having worked for other menswear companies, she launched her own label in 1989, focusing on bespoke shirts made in England from the finest materials. Personally travelling to homes or places of work, she built up strong relationships with customers, who’d then refer her to their equally high profile friends, quickly developing a client book bursting with reputable names.

It wasn’t until 2000 that Emma opened her store on Jermyn St, where she immediately stood out in an area dominated by male-led brands. She used this as an advantage, adding a delicate flair to menswear, which has become the brand’s signature. “I don’t tend to like the really bold, masculine look at the very traditional end of British shirtmaking,” says Emma, from the cosy basement of her flagship store. “So it’s probably a softer look, slightly less formal. Even if it’s a linen shirt or a brushed cotton shirt, you still make it with equal care. One, it can still be bespoke, and two, you can make it with as much care and trouble as you would with your formal business shirt. So I think that combination is quite characteristic of us too.”

Of course, another value Emma holds in high regard is material, which is sourced from Italy, Switzerland and Ireland. “I’ve used the same mill in Switzerland for 25 years – they’re absolutely superb. It’s called Alumo, and most of our shirts are made from their cottons which are woven using the highest quality Egyptian Giza 45 or West Indian Sea Island raw cotton. And then for the more creative and casual fabric like linen, I would go to Italy, and Irish linens are beautiful too.”

The most important aspect of an Emma Willis shirt, though, is the ‘Made in England’ label, which she championed even when there wasn’t an interest in it from customers. “I came into Jermyn St at a point where a lot of other people were going away from the English make,” says Emma. “There was a big drive to make a much more affordable shirt on Jermyn St – and there are a lot of good things about that – but there were fewer independents with an individual designing the shirts.” Not one to compromise, Emma stood by her values, and eventually the discerning public came back around to wanting pieces made locally. “‘Made in England’ has really come back again and I really hope that we’ve played some part in that, because I do make as much noise as I can about British shirtmaking skills.”

It’s in the heart of historic Gloucester, in grand Bearland House, where those values are turned into a tangible, wearable product. The townhouse has been converted into an intimate factory buzzing with women – and one man – who all play vital roles in the shirt making process: there are bespoke and ready-to-wear cutters, who carefully prepare all the pieces of the shirts; there’s a room of sewers, who meticulously put together those pieces; as well as those who buttonhole, finish and put the final touches on the packaging. “It’s really important, getting to know the people who I work with making the shirts and working as a team,” says Emma. “It’s a symbiotic relationship. If I don’t sell well, they haven’t got shirts to make, if they don’t make beautiful shirts, it’s a lot harder to sell them as well.”

There’s room in the factory for growth, too, which is convenient given Emma’s ambitious plans – in summer this year, she’s expanding into tailoring, launching bespoke and ready-to-wear suits and separates. Naturally, as with her shirts, they’ll have a slightly casual air, with a focus on linen and brushed cottons, transitioning into heavier smoking jackets in winter. She’s also going to be relaunching womenswear, which she’s had a lot of demand for by customers. “I’ve had a lot of encouragement, and I know exactly what I want to do and how I want to do it – I can envisage it so easily. We’ll launch that online and I think by the end of the year, if that goes well, we’ll open a separate shop.”

While business may be thriving for Emma, she’s never rested on her laurels, either. For close to a decade, she’s been running the Style for Soldiers charity, which provides bespoke shirts and donated clothes to wounded serviceman. Emma’s also established a sewing school to encourage new talent into the industry, as a way to further secure the future of British manufacturing. Which above all else, truly proves Emma’s dedication to the craft.

Emma talks shirts, style and soldiers with Richard Hopton in Country and Townhouse


“The best thing about my job is spending everyday sewing.”

Helen Pritchard joined Emma Willis in 2015 having graduated from Nottingham Trent University with a degree in Decorative Arts, specialising in Textiles and Embroidery in her final year. Helen has spent her first two years at Emma Willis training in the advanced sewing techniques of bespoke shirt making, with the guidance of Head Seamstress Kath Muir, who has over 25 years of experience. With her passion for handmade work, Helen has also learnt to knit the Emma Willis Merino Wool Walking socks on their Antique Victorian Sock Loom, as well as mastering embroidery. Helen embroiders all of the monograms for our bespoke customers, each letter hand drawn, transferred to the fabric and then delicately hand embroidered.

“I have always loved sewing ever since I was little, and it’s now a dream come true that it is my career. Every single process in our factory is done completely by hand with so much care and attention to detail. I think that’s what sets an Emma Willis shirt apart from others, they really are totally handmade. I really love making beautiful things, so the best thing about my job is spending every day sewing, knitting and embroidering beautiful things!” – Helen Pritchard




This month’s GQ Australia features our handmade Black Silk Shirt, finished with real smoked Mother of Pearl Buttons.

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Bill Crudup wears our Silver Paisley Silk Tie on the cover of The Rake

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Hand embroidered monograms in our English Factory by Helen

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Spring/Summer Floral Silk Ties, handmade in London

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We are pleased to announce that we have collaborated with The Rake and launched an exclusive collection online

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The shop is full of Oxford Swiss cottons at No. 66 as the Spring begins.

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